cinephilearchive:

Ackerman’s life and achievements are celebrated in the biographical documentary Famous Monster: Forrest J. Ackerman. From the earliest days of science fiction’s mass popularity in the 1930s, Ackerman was there, forming clubs, publishing fanzines and attending the first ever Worldcon in costume. All this led to his famed editorship of Famous Monsters of Filmland, the magazine that became the house journal of the ‘monster kid’ phenomenon of the 1950s and 1960s.

As the classic 1930s and 1940s Universal horror movies (and their cheap imitators) were released to TV in Shock Theater packages, kids across the US lapped them up. Uncle Forry, as he became know to a generation, provided fans with insights and illustrations that recalled their favourite characters and actors (in a time long before video and DVD). Ackerman, born in 1916, was ‘nerd zero’ from whom much of today’s geek chic film and TV culture was spawned.

As well a chronicling Ackerman’s personal history, Famous Monster serves as a potted history of US SF and monster movies from the 1930s to the 1970s. Ackerman was one of the first to start collecting disposable stuff no one else wanted, from lobby cards and film posters to actual props from the movies. In the 1960s up to his final days in 2008, he threw open his doors on a Saturday to allow curious fans to come visit, hear his well-rehearsed stories and examine his collection. His magazine Famous Monsters gave rise to a whole publishing niche that is still going strong today. Ackerman himself even featured in several movie cameos, which only went to prove he was a better fan than he was an actor.

Those he inspired — among them Joe Dante, Roger Corman, Ray Harryhausen, Ray Bradbury, and John Landis — contribute their thoughts to the documentary, while Lost actor Daniel Roebuck (Arzt) confesses his admiration of Ackerman and shows off his own growing collection of ‘monster kid’ memorabilia.

Made in 2007, Famous Monster: Forrest J. Ackerman is a fitting tribute to Forry’s life and captures him towards the end, still opening his doors to fans and still telling the same old stories. It’s a well-made fan-produced documentary that deserves a wide audience as it is both the ideal primer for those who are curious about Ackerman and a very welcome celebration of the great man’s life.

Extras consist of off-cuts from the featured interviews, plus more scenes of the (very) elderly Forry holding court at home and in his favourite restaurant, the House of Pies. There is some B-footage of the Ackermansion itself (now very valuable, given it’s long gone) and more from the very likeable Roebuck’s collection. There’s a photo gallery and a commentary by the writer and director team that chronicles the making of the documentary in some interesting detail. Brian J. Robb

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E. Thompson

I make movies. Sometimes people see them. I have been a martial artist for a very long time. I'm in a personal war with the Oxford comma.

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